refining, reworking & cleaning up some glyphs & anchor points.
old style & lining figures
consider the ascenders & descenders of this example
considering inktraps, shoulders, basic letter construction, terminals, and overall consistency within the family.
There will probably be a good handful of alternative glyphs in the character map of the final product - I can't decide on the British pound sign, the @ sign, ampersands & Qs just to name a few. But thats a little later in the whole process.
(last consecutive post about this new typeface, Fitz, for a while, I promise)